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1 relief lithography
Реклама: высокая офсетная печать -
2 relief lithography
Англо-русский словарь по полиграфии и издательскому делу > relief lithography
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3 lithography
1) литография2) фотолитография3) плоская печать; офсетная печать4) продукция плоской или офсетной печатиАнгло-русский словарь по полиграфии и издательскому делу > lithography
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4 Senefelder, Alois
SUBJECT AREA: Paper and printing[br]b. 6 November 1771 Prague, Bohemia (now Czech Republic)d. 26 February 1834 Munich, Germany[br]German inventor of lithography.[br]Soon after his birth, Senefelder's family moved to Mannheim, where his father, an actor, had obtained a position in the state theatre. He was educated there, until he gained a scholarship to the university of Ingolstadt. The young Senefelder wanted to follow his father on to the stage, but the latter insisted that he study law. He nevertheless found time to write short pieces for the theatre. One of these, when he was 18 years old, was an encouraging success. When his father died in 1791, he gave up his studies and took to a new life as poet and actor. However, the wandering life of a repertory actor palled after two years and he settled for the more comfortable pursuit of playwriting. He had some of his work printed, which acquainted him with the art of printing, but he fell out with his bookseller. He therefore resolved to carry out his own printing, but he could not afford the equipment of a conventional letterpress printer. He began to explore other ways of printing and so set out on the path that was to lead to an entirely new method.He tried writing in reverse on a copper plate with some acid-resisting material and etching the plate, to leave a relief image that could then be inked and printed. He knew that oily substances would resist acid, but it required many experiments to arrive at a composition of wax, soap and charcoal dust dissolved in rainwater. The plates wore down with repeated polishing, so he substituted stone plates. He continued to etch them and managed to make good prints with them, but he went on to make the surprising discovery that etching was unnecessary. If the image to be printed was made with the oily composition and the stone moistened, he found that only the oily image received the ink while the moistened part rejected it. The printing surface was neither raised (as in letterpress printing) nor incised (as in intaglio printing): Senefelder had discovered the third method of printing.He arrived at a workable process over the years 1796 to 1799, and in 1800 he was granted an English patent. In the same year, lithography (or "writing on stone") was introduced into France and Senefelder himself took it to England, but it was some time before it became widespread; it was taken up by artists especially for high-quality printing of art works. Meanwhile, Senefelder improved his techniques, finding that other materials, even paper, could be used in place of stone. In fact, zinc plates were widely used from the 1820s, but the name "lithography" stuck. Although he won world renown and was honoured by most of the crowned heads of Europe, he never became rich because he dissipated his profits through restless experimenting.With the later application of the offset principle, initiated by Barclay, lithography has become the most widely used method of printing.[br]Bibliography1911, Alois Senefelder, Inventor of Lithography, trans. J.W.Muller, New York: Fuchs \& Line (Senefelder's autobiography).Further ReadingW.Weber, 1981, Alois Senefelder, Erfinder der Lithographie, Frankfurt-am-Main: Polygraph Verlag.M.Tyman, 1970, Lithography 1800–1950, London: Oxford University Press (describes the invention and its development; with biographical details).LRD -
5 Pretsch, Paul
[br]b. 1808 Vienna, Austriad. 1873 Vienna, Austria[br]Austrian printer and inventor of photogalvanography, one of the earliest commercial photomechanical printing processes.[br]The son of a goldsmith, Pretsch learned the printing trade in Vienna, where he worked until 1831. He then took up a series of posts in Germany, Belgium and Holland before returning to Vienna, where in 1842 he joined the Imperial State Printing Office. The office was equipped with a photographic studio, and Pretsch was encouraged to explore applications of photography to printing and the graphic arts. In 1851 he was sent to London to take responsibility for the Austrian printing exhibits of the Great Exhibition. This event proved to be a significant international show case for photography and Pretsch saw a great number of recent innovations and made many useful contacts. On returning to Vienna, he began to develop a process for producing printing plates from photographs. Using Talbot's discovery that bichromated gelatine swells in water after exposure to light, he electrotyped the relief image obtained. In 1854 Pretsch resigned from his post in Vienna and travelled back to London, where he patented his process, calling it photogalvanography. He went on to form a business, the Photo-Galvano-Graphic Company, to print and market his pictures.The Photographic Manager of the company was the celebrated photographer Roger Fenton, recently returned from his exploits on the battlefields of the Crimea. In 1856 the company issued a large serial work, Photographic Art Treasures, illustrated with Pretsch's pictures, which created considerable interest. The venture did not prove a commercial success, however, and although further plates were made and issued, Fenton found other interests to pursue and Pretsch was left to try to apply some of his ideas to lithography. This too had no successful outcome, and in 1863 Pretsch returned to Vienna. He was reappointed to a post at the Imperial State Printing Office, but his health failed and he made no further progress with his processes.[br]Bibliography9 November 1854, British patent no. 2,373. 11 August 1855, British patent no. 1,824.Further ReadingJ.M.Eder, 1945, History of Photography, trans. E. Epstean, New York.H.Gernsheim and A.Gernsheim, 1969, The History of Photography, rev. edn, London. H.J.P.Arnold, 1977, William Henry Fox Talbot, London (an account of the relationship with Talbot's process).JW
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